{"id":10907,"date":"2018-04-14T10:55:08","date_gmt":"2018-04-14T08:55:08","guid":{"rendered":"https:\/\/www.psybient.org\/love\/?p=10907"},"modified":"2018-06-09T15:07:42","modified_gmt":"2018-06-09T13:07:42","slug":"interview-kalpataru-tree","status":"publish","type":"post","link":"https:\/\/www.psybient.org\/love\/interview-kalpataru-tree\/","title":{"rendered":"Interview with Kalpataru Tree"},"content":{"rendered":"<p>Sometimes our readers contact us and propose to make interview with their favorite artists. This is one of this type of stories. We thank Ilya for his help in preparation of this material. This interview was made by Ilya Surmay on 18 of January 2018.<\/p>\n<blockquote><p>\nArtist presentation:<\/p>\n<p>The Kalpataru Tree sound is sculpted with a sacred intention of healing through inspiring imagination. Distilled from the souls peak experiences into sonic form, etheric realms unfold riding along a dub backbone. Music in devotion to the mystery. A prayer of sound in resonance with dream like unfoldings of this present reality unfolding.<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1535436852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/kalpatarutree.bandcamp.com\/album\/rhythmic-fractals-of-earths-imagination\">Rhythmic Fractals of Earths Imagination by Kalpataru Tree<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>When and how did you start making music?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">I started making music when I was 11 years old. I was fortunate to have access to a keyboard, guitar, microphone, and 4 track recorder because I had older brothers in the house who fooled around with music and encouraged me to give it a try. \u00a0There was also a piano in the house, and interestingly, my older brother and younger brother both took piano lessons, but I didn\u2019t take lessons. I just improvised.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I also had a computer in the house, and one of my older brothers turned me on to Nine Inch Nails, and said to me \u201cthis guy makes music on a computer\u201d. \u00a0\u00a0I was intrigued and searched around for how to make music on a computer. I discovered \u201ctracking\u201d programs, and used a \u201ctracking\u201d program that ran in MSDOS called \u201cFastTracker 2\u201d. I believe this was before the \u201cinternet\u201d, and I was going online using a modem and BBS systems, and finding \u201ctracks\u201d written by people over in Europe. Nobody seemed to be doing it in the USA.<\/span><\/p>\n<blockquote><p><strong>Is there a story behind the name \u2018Kalpataru Tree\u2019?\u2019<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Yes. Kalpataru means \u201cwish fulfilling tree\u201d in hindu mythology and it is a parable about the nature of desire and the unsatisfactoriness of chasing desire as a means to fulfillment. \u00a0\u00a0I was listening to a spiritual teaching once, and when I heard this parable, it really stuck with me in a big way. It\u2019s kind of a long story, anyone can google it if they want, but the way I interpret it is that \u201cenlightenment\u201d comes from realizing that fulfillment of desires just leads to new desires for infinity and the only way out is to realize that desires do not lead to fulfillment. \u00a0\u00a0This is realized because when you sit underneath the Kalpataru Tree, everything you think manifests as reality, it is literally a \u201cwish fulfilling tree\u201d. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">I feel like each of our lives is a \u201cKalpataru Tree\u201d, and that this tree represents the Chakras and our spiritual evolution or development. I think that our lives and the free will associated with having a human life, allows us to generate as many experiences as we want and chase as many desires as we want, and the ultimate lesson that we may or may not receive is that the fulfillment of these desires will not make us happy, or free, or enlightened. \u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The cool thing about the Kalpataru Tree is, there\u2019s no \u201cright or wrong\u201d or \u201cgood and bad\u201d about having desires and fulfilling them, but the parable does impart a message of a certain kind of danger involved if one does not wake up to the fact that they are sitting under a Kalpataru Tree generating experiences. For instance, at one part of the story, someone sitting under the tree thinks of a demon and then a demon appears. Because he doesn\u2019t realize he created the demon, the demon seems real, scary, and frightening\u2026 And it eats him. So, I guess it\u2019s pretty important to realize the mind is creating our life experience. <\/span><\/p>\n<blockquote><p><strong>Could you describe your music making process and equipment that you are using?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">My music making process is loop based and multitrack based. I use Ableton live as a DAW. It\u2019s been working great. I used to rewire Reason with Ableton, but eventually I ditched Reason. I\u2019ve refined the process as simple as I can get it. I used to think \u201cmore is better\u201d but now I think \u201cless is more\u201d. In today\u2019s world with an infinity of plugins, it\u2019s very important to find what works for you and ditch the rest. <\/span><span style=\"font-weight: 400;\">It\u2019s very tempting to think that some plugins are going to give you \u201cawesome sounds\u201d which will up your production. I don&#8217;t think so. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Right now I use Ableton with a few plugins. Omnisphere (synth), Battery (drum programming), Fabfilter (texture), Nexus (for driving, arpeggiated sequences). I must be forgetting something? I suppose not, because over 50 percent of my music is organic bass and guitar riffs driven through a hardware effects unit. Another reason why I am promoting minimalism right now is: every piece of software you get is another thing you have to learn how to use. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">S<\/span><span style=\"font-weight: 400;\">ome of these plug ins are deep. \u00a0You would be surprised what you can get by diving deep with one plug in instead of wandering away to the next one in search of that \u201cawesome sound\u201d. The same goes with this overpriced hardware effects unit I got called the \u201cHelix\u201d. Sure, it\u2019s true, it can do everything. But I can\u2019t let that distract me. Actually, I prefer to find maybe a half a dozen to a dozen effect chains and tones and stick with those\u2026 Otherwise, i\u2019m not making music. \u00a0\u00a0I\u2019m getting a headache sifting through an infinity of sound all day. I hate that shit. That\u2019s the thing about there being an infinity of sound available to us. You can get lost, quick. It\u2019s kind of like the internet\u2026. You have access to everything and its overwhelming, there\u2019s no way we can process all that information. We\u2019ve got to focus if were going to create something. <\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"alignnone size-full wp-image-11151\" srcset=\"https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2.jpg 800w, https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2-150x150.jpg 150w, https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2-300x300.jpg 300w, https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2-768x768.jpg 768w, https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2-440x440.jpg 440w, https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2-627x627.jpg 627w, https:\/\/www.psybient.org\/love\/wp-content\/uploads\/Kalpataru-Tree2-100x100.jpg 100w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><strong>Today, we would like to share with you interview with Kalpataru Tree. <\/strong><\/p>\n<blockquote><p><strong>How do you play live?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Ahh\u2026 The computer musician\u2019s \u201clive set\u201d. \u00a0What an embarrassing topic, why did you have to bring this up? Well, here\u2019s the thing: if I was making a living at this music thing -&gt; I could prepare for some epic live sets\u2026 It\u2019s totally possible. Honestly though, I\u2019m lazy, and usually too busy to properly prepare properly for a live set. The good news is, I don\u2019t do what the majority of \u201clive acts\u201d out there do, and that is \u201cpress play\u201d, dance on stage, and tweak a knob from time to time that will filter the sound a little bit during a transition point. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0I think I do the second or third most laziest thing, and that is, to render my tracks as \u201cstems\u201d so that I can remove various parts of the instrumentation and then play new instrumentation over those parts. I also try to find percussionists, and singers, maybe even guest musicians too. Then it all starts to feel pretty live and exciting. It still ends up sounding pretty close to the original track though\u2026.And it\u2019s not as live and spontaneous as I would like it to be. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">I do this other thing \u201clive music for yoga classes\u201d where I truly, in the moment, compose an evolving track.\u00a0 It ends up sounding pretty epic. The only thing is, I need a variety of instruments to create the magic &#8211; and if i\u2019m playing a \u201clive set\u201d somewhere it usually means I have to travel by airplane to get there. That\u2019s why I do the live yoga thing only if its local or i\u2019m travelling by car. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">I want to use this \u201clive looping\u201d completely in the moment method of \u201cplaying live\u201d but a few obstacles are (1) im lazy and\/or am not being paid the financial resources required to deliver such a performance. (2) the equipment issue: I suppose a venue could give me a bass guitar, guitar, and midi controller on site, but usually the event producers aren\u2019t equipped to do this, if they can pull it off, they have to hit up their friends for access to these things &#8211; and usually musicians are pretty stingy with \u201clending\u201d their gear to venues, which are usually late night venues with chaotic energy where things could easily get lost, stolen, or broken. \u00a0\u00a0I suppose for most musicians\u2026 It boils down to money and the impracticality of lugging around a bunch of equipment. A lot of the successful acts out there are really excited that they can play huge venues and get paid and all they really need to do is bring their laptop and a midi controller on the airplane.<\/span><\/p>\n<blockquote><p><strong>How much time did it take to create your first album?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">My first album as Kalpataru Tree was created in about a year. \u00a0I was attending a school in San Francisco called \u201cGlobe institute\u201d which is a recording production \/ sound healing school. It was super inspiring. We learned about mystical principles of sound, practical principles of sound, cymatics, sound healing, and music production techniques. \u00a0I was on fire. I then proceeded to move to the woods of southern oregon and go into a musical trance. A year later, I had all these nature \/mysticism inspired psy-dub dreams recorded into audio form. \u00a0<\/span><\/p>\n<blockquote><p><strong>You had a long break in making music since 2012, how does it feel to release something new after such a break? <\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">It feels great. \u00a0It\u2019s the best thing I could have done. \u00a0\u00a0Attaching your identity to music or art scenes of any kind is exhausting. \u00a0\u00a0It\u2019s a highly competitive, ego based, hierarchical world of \u201care you good enough?\u201d which is stressful on a sensitive ego with a stronger desire to \u201ccreate magic\u201d than to \u201cbe somebody important or special\u201d. \u00a0Also, I got to a point where I had to admit how real financial stress is. In your 20\u2019s it\u2019s fine, you can live in your cousins basement and travel around in a beater car, never have more than 300 dollars to your name, whatever. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">But in my 30\u2019s this type of living began to take its toll, and I didn\u2019t feel comfortable consistently borrowing, begging, scraping, \u201cdoing without\u201d. I took a look at my attachments and needs for financial and social capital in regards to \u201crecognition and compensation for my musical contributions\u201d, and it just wasn\u2019t making sense. \u00a0\u00a0Around the same time, a computer musician I had looked up to for quite sometime, Bluetech, was expressing his struggle in making ends meet financially, and this was someone with a much wider reputation than I, someone constantly gigging, etc. and a huge anxiety bomb went off in me I realized even if I did \u201csucceed\u201d in this world, I would still be struggling financially, and I don&#8217;t even have the desire to get on a plane and tax my nervous system sleeping weird schedules and being in intense environments, etc. \u00a0\u00a0All of that and even if you do succeed, there&#8217;s no guarantee that you can perpetuate that success, and then you\u2019re financially vulnerable again. I realized there were too many eggs in my \u201cim an ambient psy dub music producer\u201d basket. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">So I let it all go. \u00a0\u00a0I realized there is so much more to life than \u201ctrippy music\u201d. \u00a0And there is so much more to life than trippy music! The good news is though, after a 5 year break\u2026 I realized that I authentically enjoy making music\u2026 It feels good. \u00a0And I\u2019m willing to do it without any \u201cneed\u201d for any kind of external validation or compensation. I think if you\u2019ve been doing something all your life, you can\u2019t really stop. \u00a0My recent \u201cwave of excitement\u201d comes from this new place where I can do whatever I want without attachment\u2026. And because there are \u201cno rules, needs or expectations\u201d \u2026 Getting back in the studio, released from the attachment of \u201cmaking it\u201d means I can do whatever I want! \u00a0\u00a0Its liberating!<\/span><\/p>\n<blockquote><p><strong>How would you describe your upcoming album?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">I would say the main themes of \u201cRhythmic Fractals of Earth\u2019s Imagination\u201d are the same i\u2019ve always been grasping at: how can I take my experiences and realizations of being a mystically inclined human being on the planet Earth and convey a story of hope and possibility and magic to other seekers on the path? \u00a0It is my desire to impart to the listener a world of imagination, a portal into another world which is the same as this world. A world where when one steps out into nature, one can talk to and communicate with the forms and fractals of intelligence in resonance and familiarity. A remembrance of things once forgotten, where instead of feeling alienated from our environment, we feel woven into it. \u00a0Included. Integrated. I create the music with the intention to remind those who listen that they are woven into a great mystery. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sonically speaking, the tunes are rich and layered, the soundscapes are full. \u00a0Similar techniques to previous releases, heavy in organic bass and rich guitar tones. \u00a0\u00a0The songs stretch beyond psy-dub and fly into more mid tempo funky grooves. Apart from all those fancy words, all else I could say is go take a listen!<\/span><\/p>\n<blockquote><p><strong>Are there any other projects? Several years ago you had a collaboration with Wahkeena Sitka, what about any future collaborations?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Yes, the door is just beginning to open again. \u00a0\u00a0I am currently in a side project with my partner who is an amazing vocalist. I am also opening the doors for collaborations with all kinds of amazing musicians and vocalists local to the area where I live.<\/span><\/p>\n<blockquote><p><strong>Who are your favorite artists now?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Recently I found \u201cKyoto\u201d out of Russia. \u00a0Kind of reminds me of Saafi Brothers. Dreamy, you feel like your flying. \u00a0A lot of incredible music seems to be coming out of Russia actually, it&#8217;s like they are having a psy chill renaissance over there. \u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"> \u00a0\u00a0Over here in the Pacific Northwest of the USA there is Yaima, which is really deep, mystical, downtempo with vocals. \u00a0As far as deep ambient goes, Alio Die out of Italy is a favorite of mine. Stratosphere is an up and coming producer who is dropping some amazing stuff, just check out his track \u201cGrandfather\u201d. \u00a0\u00a0Bwoy De Bhajan was my favorite at Tribal Gathering festival in Panama last year.<\/span><\/p>\n<blockquote><p><strong>What is your motivation to keep producing?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">To inspire myself and other people!<\/span><\/p>\n<blockquote><p><strong>What inspires you?<\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The possibility of creating meaning, beauty and purpose using our human willpower in a world thirsting for meaning and beauty and purpose. \u00a0The idea that we might one day be able to live in functioning non toxic sustainable communities. Nature in all its forms, the intelligence of plants and animals and fungi and the interconnectivity and symbiosis. Natural building, permaculture, gardening, plant based medicines. <\/span><\/p>\n<blockquote><p><strong>Do you have plans for the future? <\/strong><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">With my studio up and running again, I wish to devote a portion of my time to crafting new works of sound. I seek to achieve a balance between my visionary life and my practical life. I\u2019m not the kind of artist that wants to throw myself off a cliff or cut off my ear or go insane to prove how artistic I am. \u00a0\u00a0I seek balance and peace and sustainability in what I do.. So my goal for 2018 is balance. Balancing the practical and the visionary. Paying the bills while also dreaming a future world with sound. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Links:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bandcamp &#8211; <\/span><a href=\"https:\/\/kalpatarutree.bandcamp.com\/\"><span style=\"font-weight: 400;\">https:\/\/kalpatarutree.bandcamp.com\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Patreon &#8211; <\/span><a href=\"https:\/\/www.patreon.com\/kalpatarutree\"><span style=\"font-weight: 400;\">https:\/\/www.patreon.com\/kalpatarutree<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Facebook &#8211; <\/span><a href=\"https:\/\/www.facebook.com\/Kalpataru-Tree-133286206693376\/\"><span style=\"font-weight: 400;\">https:\/\/www.facebook.com\/Kalpataru-Tree-133286206693376\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Soundcloud &#8211; <\/span><a href=\"https:\/\/soundcloud.com\/kalpataru-tree\"><span style=\"font-weight: 400;\">https:\/\/soundcloud.com\/kalpataru-tree<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sometimes our readers contact us and propose to make interview with their favorite artists. This is one of this type of stories. We thank Ilya for his help in preparation of this material. This interview was made by Ilya Surmay on 18 of January 2018. Artist presentation: The Kalpataru Tree sound is sculpted with a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[767,313],"tags":[],"artist":[],"class_list":["post-10907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-interviews","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview with Kalpataru Tree -<\/title>\n<meta name=\"description\" content=\"psychill music, psychedelic festivals, psytrance festivals, psybient news and other sub-genres of psychedelic ambient downtempo music, psybient music: compilations, mixes, events, 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