Sérgio Walgood (Lisbon, Portugal) is a multi-dimensional artist pushing boundaries in psychedelic electronic music, navigating in chillout grooves, downtempo pacing, ambient textures, or dub influences.
Since his debut album ‘Chill in Tribe’ back in 2010, he has gifted the listener ears with excellent music, and he’s active in multiple projects, including Angular Momentum, OCO, Random Mode, and Fluorest, alongside his solo work.
Today we have the chance to speak with him.
Interview by the psybient.org team on 10/10/25.
Hi Sérgio, hope all’s good with you, thanks a lot for chatting with us.
Hi Iurii! Thank you for having me!
What have you been up to lately? Your summer schedule looked interesting.
This summer was intense and inspiring. I played at several festivals, including Boom, Ozora, and Ícaros, where I presented chillout and downtempo sets. Each of them had a very unique vibe, and it was amazing to connect with people in such different environments. Now that the season is over, I’m back in my studio and also working as an AV technician, while preparing myself for a new cycle of music creation.
Who is Sérgio Walgood, the artist?
I see myself as a sonic explorer, moving between psychedelic electronic landscapes, ambient textures, dub grooves, and sometimes rock influences. My music is about creating atmospheres that invite people to journey inward and outward at the same time. For me, sound is a way to transform emotions and help people experience a sense of freedom.
Could you tell us a little about how your music journey started and where it’s at now?
My journey with music started in a very experimental way back in the ’90s. Before even touching a computer, I was already playing guitar, recording on cassette decks, layering takes with whatever I had: a Casio keyboard, the guitar, and the limitations of that time. In the late ’90s I started experimenting with electronic production using the PlayStation and Music Maker 2000, which opened a new world for me.
Around 2000 I began exploring computer-based production and formed my first psychedelic trance project, Plur Project. Soon after, together with Daniel Belo, we created Dreamgate, a melodic Goa trance act that later evolved into the downtempo project Omic Project. Our first track, “Textures,” was released on Peak Records’ compilation Chilling Goddess in 2005. In 2006 I felt the need to explore my own vision, which led to the beginning of my solo project under the name Sérgio Walgood.
Since then, I’ve been involved in multiple projects and collaborations, always moving between styles and learning from each step. Today, after all these experiences, I feel I’m entering a new chapter, bringing everything together into music with more depth, clarity, and intention.
Since you work with different styles, how do you usually approach writing and producing your music?
My approach depends a lot on the mood or concept I want to explore. Sometimes I start with a texture, a rhythm, or a melodic idea, and let it evolve naturally. I like to experiment and combine organic sounds with electronic elements, exploring different grooves, atmospheres, and emotional layers. For me, each project has its own logic and energy, so I try to adapt my workflow to serve the music rather than forcing it into a fixed method. Improvisation and listening play a huge role in shaping the final result.
What kind of software, hardware, or instruments do you usually like to work with?
I like to mix both digital and analog tools, always depending on the sound I want to explore. In the studio, I work with computers and software for sequencing, sampling, and sound design, but I also enjoy using synthesizers, drum machines, and effects units. Guitar and bass are always part of my palette, as well as more experimental instruments or objects I can manipulate to create textures. I believe that combining different tools allows me to find unexpected sounds and shapes, making the music more alive and expressive.
Can you give us an introduction to Angular Momentum, OCO, Random Mode, and Fluorest?
Each project represents a different side of my musical exploration. Angular Momentum is where I dive into deeper, hypnotic electronic grooves. OCO is more about collaboration, band, experimentation, and pushing the boundaries between ambient, psychedelic, and live elements. Random Mode was a psychedelic trance project I developed with my friend Vicente, which we decided to put on hold for a while. Fluorest is melodic and focuses on a tribute to the Goa trance of the ’90s; I created this project specifically to perform at the ZNA Gathering. I’ve also collaborated with my great friend Pedro Neves on Wireless Brains, where we created a EP together focused on Downtempo Ambient, you can check it out here: My Silence | Wireless Brains.
What kind of things usually inspire you?
Inspiration comes from many places: nature, travel, art, and the energy of people around me. I like to observe life closely and translate emotions, landscapes, and experiences into sound, creating spaces where listeners can escape, reflect, or simply float for a while.
Can you tell us about the chill-out stage at ZNA Gathering? How does it fit into the Goa Trance theme of the festival? What’s the idea behind it?
The chill-out stage at ZNA Gathering was designed as a complementary space to the high-energy Goa trance stage. While the main floors are all about driving rhythms and psychedelic journeys, the chill-out offers a place to breathe, reflect, and immerse in more melodic and atmospheric sounds. We like to maintain it as a true chill-out space, which is something that’s slowly disappearing in many festivals of this kind. There are moments of ecstasy, of course, but it’s not just another dance floor. It’s a space for relaxation, connection with nature in the beautiful peninsula, and letting the music guide you inward. The idea was to create a sonic environment that enhances the overall festival experience, providing balance and contrast, while still being part of the same psychedelic narrative that Goa trance represents.
How do you see the psychedelic scene in Portugal these days?
I think the psychedelic scene in Portugal is alive and evolving. There’s a strong sense of community, and people are very open to experimentation and different styles. At the same time, some spaces and events that were more alternative or intimate are becoming rarer, so it’s important to value and protect those moments. On a positive note, I see areas like the healing zones and instrumental music concerts growing enormously, which brings new energy and experiences to the scene. Overall, there’s a lot of talent and creativity here, and the scene continues to grow with festivals, live acts, and new projects, keeping the spirit of exploration and connection very much alive.
Any projects or plans coming up you would like to share?
Right now, I’m focused on returning to the studio to create new music. After a busy festival season, it feels like the perfect moment to explore fresh ideas and bring new sounds to life. I’m also continuing collaborations with different artists and projects, which always inspires me in unexpected ways. Overall, my main plan is to dedicate time to experimentation and composition, developing music that feels authentic and immersive, and that can connect with listeners on a deeper level.
Who is Sérgio, the human?
Outside of music, I’m a reserved person, but I love sharing and socializing. It’s a bit of a contrast, there are moments when I need solitude, but there are also times when I really enjoy being around people and connecting with others. I value honesty, creativity, curiosity, and meaningful experiences. I’ve also been working a lot in the audiovisual field as a technician, which has supported and sustained my art, allowing me to keep exploring and developing my music. Music is a big part of who I am, but I also enjoy observing, learning, finding inspiration in everyday moments, and painting. I try to live with intention and openness, both in my personal life and in the way I approach my art.
Before we finish up, is there anything you’d like to say to the people supporting psybient.org?
I want to thank everyone who supports psybient.org and all those who contribute to keeping the chillout scene alive. I hope my music can contribute to these journeys in some way, offering moments of reflection, relaxation, and inspiration. Thank you for listening, for being part of this scene, and for keeping the spirit of exploration alive.
Appreciate the words, and the magic in your music. We’ll keep floating and opening our minds and hearts through the sonic landscapes you create. Sending a big hug!
Thank you my friend! Big hug!
Listen and follow Sérgio Walgood:
http://sergiowalgood.com
https://sergiowalgood.bandcamp.com
https://soundcloud.com/sergiowalgood
https://www.facebook.com/sergiowalgoodmusic
https://www.instagram.com/sergiowalgood/
